Brian Hough retells how he fought in Korea with the King's Regiment, his national service being his rare chance to see the world as well as what was planned for someone with a working class background. His regiment went through intensive training to prepare for the Korean War but Brian’s rough upbringing and his familiarity with discipline from school made it manageable.  Brian grew up with no hot water or upstairs electricity but that was nothing compared to the level of poverty he witnessed in Korea; the lack of sanitation, outdated technology and crowds of starving children made it seem like he'd gone back in time. Upon arriving at the trenches, he was apprehensive but got on with it due to being conditioned to believe everything would be okay if he followed his training and did what he was told.  After an invasion of the King’s Regiment's trenches, Brian saw hundreds of fiercely fanatical Chinese soldiers charging toward them, making hand to hand combat seem inevitable. Before Brian could panic, his commander bravely ordered artillery fire on the Chinese despite how close they were but miraculously none of the shells fell short and hit them. The King’s Regiment received battle honours for the role they played in bringing democracy to South Korea and Brian was amazed to see how quickly they then began advancing.

After taking up the trombone at a young age, Kevin went on to play within the band movement. It was here that he was influenced by a teacher who was an ex-Scots Guards bandsman, this experience sharpened his enthusiasm into what would eventually become his life-long career and passion. In 1982 Kevin enlisted in the Parachute Regiment at age 16. Kevin’s army career has spanned 36 years at the time of this interview, during which he has served in Kenya, Northern Ireland, Iraq and Kuwait, Jordan and Germany to name a few. He describes his spiritual home as Kneller Hall where he was able to focus and hone his musical skills, eventually becoming a musical director. His tours of duty have a common theme, that of community service, care, and compassion offered to his colleagues in the army and to the communities in the countries they were based in. This is particularly reflected in his discussion of the role the band played in Northern Ireland and in Iraq, offering sensitive and compassionate interventions in incredibly difficult circumstances to people who were often traumatised by war and conflict. He is incredibly proud of what they have been able to achieve.

Cheryl was twenty-four when she joined the WRAC and saw the army as a career opportunity. At Guildford she dedicated herself to training and felt a sense of achievement wearing her solider's uniform. Cheryl completed her trade training at Aldershot, and specialised in silver service techniques. She was then posted to the Royal Armament and Development Establishment where she worked in both the sergeant's mess and on guard duty. At the RARDE soldiers would test new vehicles and weapons under extremely classified conditions, therefore those working there, such as Cheryl, had to stand on high alert at all times. Cheryl remembers having basic weapon training during this period, yet she still was not given ammunition whilst on guard. In her interview she describes the horrific treatment of women in the army, one of the reasons for her leaving in 1989. Cheryl felt unsupported on her leave and disappointed by the army's attitude towards the female corps. She feels that although the WRAC is a huge part of her history, there were real issues of gender discrimination which should be documented in oral histories such as those held in Legasee's archive.