At only seventeen years of age Pat joined the WRAC and was soon posted to Shoeburyness as an Experimental Assistant in Gunnery. Pat discusses the high level of classification she experienced whilst working as an EAG and how on her arrival she had to be cleared with the secret atomic at the highest grade of security. She goes on to further describe how all aspects of her life had to be investigated in order for her, and other soldiers, to engage in the top secret work at this posting. Pat reflects fondly on this time period and speaks passionately about her role as an optical measurer. After a few years Pat married and was forced to leave the army as there were no opportunities for marital couples to be posted together. When asked to reflect on her time with the WRAC Pat was grateful for the skills and experiences she was able to take with her from her time in the military, however, struggles to view herself as a veteran due to the glass ceiling that restricted opportunities for women in the army.

In 1965, Len Tyler entered the Army as a Junior Bandsman. By the time he left in 1994, he was the Director of Music of the Royal Electrical and Mechanical Engineers. Len’s love of music may never have started without Leicestershire’s ‘radical’ music programme, which provided free instruments, music lessons, and weekly coach journeys to children who needed them. Before leaving school at 16, with little knowledge of what he wanted to do, he stumbled across an army information wagon. Little did Len know that the recruiter behind the counter was in-fact a sergeant from the 4th Royal Anglian Band. As a Junior Bandsman, Len's first posting to Malta was also his first time abroad, where he married a Maltese girl. When their son was later born with medical complications, Len became the first student on Kneller Hall's pupil's course to receive his own quarters - a wonderful three-bedroom house in Hounslow. Len had an exciting time as part of the 'Golden 8', made up of the top eight players on the course. Together, they performed at high profile events like the Queen's Silver Jubilee in 1977. Later in 1992, as Director of Music of the REME, Len would also perform for the Duke of Edinburgh, Prince Philip, at the Royal Albert Hall, as part of their 50th anniversary celebrations. When he was deployed to the First Gulf War, Len worked on helicopter landing sites. Reflecting on his experience of entering a war zone, in this interview Len recalls how musical people often struggle to become military people, however he luckily adapted well.

Colin Cottle describes what it was like to grow up during WWII, when the Blitz meant camping out in the basement, plane spotting and finding shrapnel on the way to school. When the war ended, many young people struggled to find work so Colin signed himself up to the army, aged 16, and was swiftly sent to the front line of the Berlin Airlift as a mechanic, helping to get often overloaded allied planes to Soviet-controlled areas of the city. Colin shares details of the devastating impact war had had on the German landscape, and how life inside the military bases changed with the arrival of the Americans and their all-you-can-eat breakfasts and nightly trips into town. He also shares fascinating insights into the black market, where cigarettes and coffee were a strong currency for the impoverished locals, and explains how these clandestine trades took place and what he would do with the cash. Many years after his service, Colin chanced upon others who served in Fassberg at a book talk on the Berlin Airlift. A deeply emotional trip back to the base with them served as a reminder that, although he was just 18 years old, he played an important role in the history of the Cold War.