Following completion of an apprenticeship, Peter signed on as a regular in the Army for three years in 1951, because it meant he could choose where he wanted to serve. After training, he served in the Royal Army Service Corps as a driver. He tells of a posting to HQ Southern Command and from there being sent to Korea. Like many others, he explains that he hadn’t heard of Korea before this. Embarking at Southampton on the Empire Fowey, he and his compatriots travelled first to Japan. He recounts the journey from Japan to Korea, travelling through Hiroshima and seeing the crater, following which he was parachuted into Seoul. He was posted to the 26th Field Ambulance Division and drove both ambulances and transport. He tells of the poor conditions of the roads and the impact of the weather on their work, including that their trucks would freeze during the winter if not looked after properly. At the end of the Korean War, Peter tells of his brief foray into athletics, running for the battalion. He was then posted to Hong Kong. He expresses frustration at the lack of attention given to the Korean war in comparison to other wars.

Gilbert Beck’s journey into military music began humbly in rural Oxfordshire, where his father brought home a grand piano from a local market, sparking a lifelong passion. Raised in a musical family, Gilbert sang in the church choir and played organ before joining the Army in 1948 as a band boy with the Royal Artillery. Trained at Woolwich and later Kneller Hall, Gilbert played double bass, tuba, and bass trombone, eventually joining the North Staffordshire Regiment. His musical service took him across Europe and into the Korean War, where he played a vital role in maintaining morale. From conducting services with a portable organ to performing for multinational troops, including Canadians and Americans, his music helped bridge cultural divides in a devastated landscape. In Korea, Gilbert played at the dedication of a tented village for displaced civilians and led hymns at makeshift services in Gloucester Valley. His experience highlighted the humanising power of music amid the harshness of war. Later selected for the demanding bandmaster course at Kneller Hall, Gilbert's talent earned him great respect, even as he ultimately chose family life over a full military career. Music remained central to Gilbert’s life, both in and out of uniform - a true servant of harmony in service and in peace.

Rex shares his transformative experience of national service, going from a 'Jack the lad' fisherman in Ipswich, to Section Commander in Korea, all for a boy of 18 who had never left his home ground.

Rex describes traveling on The Windrush from Southampton to 'The Territories', 3 miles from Hiroshima to complete increasingly arduous military training run by Colonel Lonsdale designed to transform the men into “killing machines”.

From here the men were ½ a mile away from the Chinese military camps, where they could, on a clear day, see their enemy training to fight against them.

As soon as he turned 19, Rex was sent to Uijeongbu, to be quickly immersed in front line duty. He was soon to become a section commander, responsible for running patrols in the challenging landscape of paddy fields and mountains, at times coming within 150 yards of the North Korean and Chinese front line.

Rex recounts his experiences of living with Siberian winds, psychological warfare, 'Hill 335' and the brutality and carnage of fighting on 'The Hook', where death was only a whistle away. His story is one of resilience and comradeship.