Gilbert Beck’s journey into military music began humbly in rural Oxfordshire, where his father brought home a grand piano from a local market, sparking a lifelong passion. Raised in a musical family, Gilbert sang in the church choir and played organ before joining the Army in 1948 as a band boy with the Royal Artillery. Trained at Woolwich and later Kneller Hall, Gilbert played double bass, tuba, and bass trombone, eventually joining the North Staffordshire Regiment. His musical service took him across Europe and into the Korean War, where he played a vital role in maintaining morale. From conducting services with a portable organ to performing for multinational troops, including Canadians and Americans, his music helped bridge cultural divides in a devastated landscape. In Korea, Gilbert played at the dedication of a tented village for displaced civilians and led hymns at makeshift services in Gloucester Valley. His experience highlighted the humanising power of music amid the harshness of war. Later selected for the demanding bandmaster course at Kneller Hall, Gilbert's talent earned him great respect, even as he ultimately chose family life over a full military career. Music remained central to Gilbert’s life, both in and out of uniform - a true servant of harmony in service and in peace.

Already an accomplished musician, Eddie Pickering joined the 50th Signal Regiment Band of the TA as soon as he left school. After progressing through various short-term roles he joined the 1st Royal Tank Regiment, with whom he spent two years based at Catterick Garrison then four years in Germany. Eddie then enrolled at Kneller Hall as a student bandmaster, and he shares his memories of the privileges and pressures of the course. On successful completion of his studies, Eddie was posted to the Cheshire Regiment, with whom he spent the next 23 years of his career. Eddie shares details of some of the incredible events and diverse venues around the world at which the Cheshires played. He also recalls the devastating bomb blast at the Droppin Well in December 1982 when they were stationed in Ballykelly, Northern Ireland; and talks about the overwhelmingly emotional reception of the band at their first engagement after the blast later that same week. Eddie’s recollections give a wonderful insight into the life and career of a regimental bandmaster, and it’s a privilege to hear him talk about – as he describes it – his dream job: a role he held for more than a quarter of a century.

A short film to celebrate the visit to Kneller Hall by the superbly well behaved pupils [and teachers] from Chase Bridge primary school.  Thanks very much to the volunteers and veterans [Len Tyler, Roger Swift and Sally George] for taking the time to make this fun and educational visit possible.

Raised in the garrison town of Colchester, Maisie enlisted in 2002 after earning her music degree. She trained at Kneller Hall before joining the band of the Parachute Regiment. As a trumpet player, Maisie describes the immense pressure of performing The Last Post at commemorations and funerals. Maisie served in Iraq in 2004, stationed in Basra, and Afghanistan in 2010-2011. She notes the unique experience of being one of the few women in a male-dominated environment during these conflicts. She also describes the various roles of the band in an active war zone, in addition to sustaining morale. After almost a decade of service, Maisie left the army in 2011. She recounts many of the incredible events she performed at, and expresses how difficult it was to leave that identity behind when returning to civilian life.

Coming from a musical and artistic family, John was attracted to military service as an opportunity to become a professional musician. He joined the Staffordshire Regiment, and after arduous basic training, joined the military band. He focused on the cornet and the double bass and describes his development as a musician. He puts his success down to hard work; he wanted to become a professional musician in a military band and he would do whatever it took to achieve this. He was then given the opportunity to train at Kneller Hall, which he describes as ‘the mecca for army music’. He practised hard and won a prize for the most improved musician on double bass as well as best double bass musician for that year. Following graduation, he spent time in Northern Ireland, then Gibraltar. Eventually he became an instructor in the Prince of Wales division and from there back to Kneller Hall as a student Bandmaster. Having graduated, he became the first black bandmaster and went to the Cheshire Regiment and from there to Bosnia and the first Gulf War. He describes his time with the Cheshire Regiment, during which he received a commission before retiring in 2000.

For 33 years, Frank Renton climbed the ranks of the British Army, starting out as a trumpet player in the Band of the Royal Horse Guards and ending as Principal Director of Music at Kneller Hall. He shares memories of his various roles along the way, including Head Brass Tutor at the Guards Division School of Music; Bandmaster of the Gordon Highlanders; Captain, Director of Music of the Parachute Regiment; and Senior Director of the Royal Artillery Band. Frank talks about some of the highlights and challenges of his illustrious career, and gives a fascinating insight into the skills required to lead a band not just in a musical arrangement but also in a live-fire defensive operation. Although deeply grateful to the Army for all of the opportunities it opened up for him and the tremendous career he had as a result, Frank is also very clear on the ways in which improvements need to be made in order to secure the future of military musicians in the UK.

Louis Davies grew up on music and a family legacy of military service. It was thus a natural path for him to enrol in the military at the age of sixteen, with the dream of being in a military band. Louis describes the process of auditioning for and training at Kneller Hall (then the Royal Military School of Music). Louis speaks with great pride about the legacy and global renown of Kneller Hall, recalling some of the powerful and touching performances he was part of while studying there. After over three years at Kneller Hall, Louis transferred to the Navy as a Royal Marines Bugler. He continued to pursue his dream of being a full-time musician in the military until ultimately leaving to take care of his family.

In 1965, Len Tyler entered the Army as a Junior Bandsman. By the time he left in 1994, he was the Director of Music of the Royal Electrical and Mechanical Engineers. Len’s love of music may never have started without Leicestershire’s ‘radical’ music programme, which provided free instruments, music lessons, and weekly coach journeys to children who needed them. Before leaving school at 16, with little knowledge of what he wanted to do, he stumbled across an army information wagon. Little did Len know that the recruiter behind the counter was in-fact a sergeant from the 4th Royal Anglian Band. As a Junior Bandsman, Len's first posting to Malta was also his first time abroad, where he married a Maltese girl. When their son was later born with medical complications, Len became the first student on Kneller Hall's pupil's course to receive his own quarters - a wonderful three-bedroom house in Hounslow. Len had an exciting time as part of the 'Golden 8', made up of the top eight players on the course. Together, they performed at high profile events like the Queen's Silver Jubilee in 1977. Later in 1992, as Director of Music of the REME, Len would also perform for the Duke of Edinburgh, Prince Philip, at the Royal Albert Hall, as part of their 50th anniversary celebrations. When he was deployed to the First Gulf War, Len worked on helicopter landing sites. Reflecting on his experience of entering a war zone, in this interview Len recalls how musical people often struggle to become military people, however he luckily adapted well.

After taking up the trombone at a young age, Kevin went on to play within the band movement. It was here that he was influenced by a teacher who was an ex-Scots Guards bandsman, this experience sharpened his enthusiasm into what would eventually become his life-long career and passion. In 1982 Kevin enlisted in the Parachute Regiment at age 16. Kevin’s army career has spanned 36 years at the time of this interview, during which he has served in Kenya, Northern Ireland, Iraq and Kuwait, Jordan and Germany to name a few. He describes his spiritual home as Kneller Hall where he was able to focus and hone his musical skills, eventually becoming a musical director. His tours of duty have a common theme, that of community service, care, and compassion offered to his colleagues in the army and to the communities in the countries they were based in. This is particularly reflected in his discussion of the role the band played in Northern Ireland and in Iraq, offering sensitive and compassionate interventions in incredibly difficult circumstances to people who were often traumatised by war and conflict. He is incredibly proud of what they have been able to achieve.

Gordon began learning to play the cornet at aged 10, while many of his friends were out playing football. After leaving school, he successfully applied to the Royal Engineers at Chatham at aged 14 and was subsequently accepted as a pupil at Kneller Hall despite being only 14 years old. After 18 months, he succeeded in his exams and returned to Chatham. While there, he was supported to continue his education and studied Music at Trinity College. In 1956, he was accepted back at Kneller Hall, although considered too young for a studentship, but put in for the 6-month exams where he came top of his group. He subsequently took on a bandmaster roll at aged 25, becoming the youngest in the army to achieve this. Gordon goes on to describe his time as bandmaster and the rich variety of opportunities that came his way, including serving in Germany. Ultimately, Gordon became Professor of Band Arranging, Harmony and History Music at Kneller Hall. In the last months of his career he met Princess Anne, who was then Colonel in Chief of his regiment. She was instrumental in organising a celebration of his work in London before he retired.

Geoff Pratt joined the British Army in 1968 at the age of 15, inspired by a love of music and encouragement from his future brother-in-law, a serving musician. Originally from Sandy, Bedfordshire, Geoff began his military musical journey on the euphonium, later transitioning to the trombone. Serving with the Royal Corps of Transport Staff Band, Geoff performed across the UK and abroad, including Germany, Cyprus, and Northern Ireland during the Troubles. He recalls the tense experience of performing in Armagh’s town square while armed soldiers stood guard in nearby shop doorways - vividly aware of the dangers military musicians could face in conflict zones. In addition to his musical duties, Geoff trained as an HGV driver, enabling him to transport the band’s instruments across challenging terrain, including through politically sensitive areas under armed escort. His service also included memorable performances such as the Horse of the Year Show and ceremonial parades. Geoff speaks with pride about the role of military music in uniting people, boosting morale, and honouring tradition, and reflects with lasting emotion on the sacrifice of fellow musicians, particularly those lost in the Regent’s Park Bandstand bombing.